However, my goals haven't changed. I still believe in the imperative of beauty and in working without rules no matter what process is followed. 
Helen Frankenthaler 
 cinzia contatti copia
 
 
My artistic history begins by admiring the Masters of Italian painting, from the lyrical color of Afro, the dismembered color of Vedova, the gestural color of Scialoja and the neo-American painting of Jackson Pollock, the informal color of Franz Kline, the expressionist color of Willem De Kooning and Arshile Gorky, from the lightning of Hans Hartung, to the dynamism of Georges Mathieu, from the chromatic depth of Mark Rothko, to the gentle peculiarity of the painted sign and color of Helen Frankenthaler.
 
Faithfulness to color in continuous growth and artistic research enriched by interests and studies in the philosophical, literary, psychological field.
 
Color becomes an unfathomable body of the non-evident and the unknown, towards a polis ready to get involved, perhaps to be amazed.
 
All this imagery has matured over time into projects in which painting, freed from its own applied rigor, becomes only a phase of a broader and more complex work, imbued with a creative process shared with other artists of different forms and languages, such as dance, music, and theater, experienced as Total Art.
 
I design and create Painting Actions ACTION PAINTING in synesthesia with musicians, actors, vocalists, dancers in live performances of pictorial improvisation, performance events inextricably linked to the here and now, original, unique and unrepeatable. Total Art Concert Events created before the eyes of the public in public spaces, theaters, museums, villas, squares.
 
I have been working in the field of Communication for years, collaborating with Communication Agencies and Companies for the design of large works on canvas, advertising logos, stages and painting workshops for groups and individuals. The works on canvas in mixed technique belong to Public and Private Collections in various countries.
 
I work between Rome and Florence.
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   Cinzia Fiaschi Visual Artist Performer (1973 Siena)

Graduated in Florence at the historic Academy of Fine Arts in the school of Painting of Maestro Gustavo Giulietti in 1996 with full marks.

She began to present her works on canvas in mixed technique with some Italian art galleries present annually in national art fairs. In 2000 she moved to Rome. She teaches History of Art and Drawing Techniques in private schools. I have taught ways and methods for drawing and painting various techniques in training courses. She embarked on a path of theater-dance practicing various schools (Pina Bauch Strickers Maggiopinto school etc.), participating in contemporary dance seminars of movement, Contact improvisation (Marce Cunningham and others) in various countries, building a profound language between bodily expression and pictorial act as an action essential to the movement arising from an attitude aimed at the improvised act.

She won various competitions for the public installation of pictorial works and Art Awards.

Since 2003, the year in which she founded the Dance in Action Painting Company, she has designed and created performances in synesthesia with musicians, dancers, actors, vocalists, composers, sopranos, creating her own language of painting in the indissoluble bond between color and music, between improvisation and danced movement.

She stages Action Painting performances in real musical concerts in Italy and abroad. She collaborates with Ensembles and Companies, Advertising Agencies (AD4 Communication Maked Filmmaster, others) and many companies (BNL Paribas, Enel, ENIspa, GSK, QVC, University, Health Companies, Museums, others), creating unique and unrepeatable choral shows of pictorial improvisation. She designs logos for companies and creates large-format canvases for advertising and video spots.

Her works on canvas are exhibited in selected solo and group exhibitions in various countries. Professor and art critic Marco Cianchi writes about her.

Atelier Rome Florence

 


PRINCIPAL COMMISSIONED WORKS

AD4 Communication - Accademia Bizantina - Analysis - Aou Careggi Toscana - Amusart Roma - Artemisia Ass. - Avery Parfum - Azienda Agricola Tamburini - Borghese Palace Art Hotel - Bisbigli - Brand Building - Brunellesca Firenze - BNLbaripas - Boscolo - Concilio Europeo - Contemporary Ensamble - DP Advertising - Diapason - Enel - ENI (Eni4 Milano) - Filmmaster - Fieramente - Fondazione Careggi - Fondazione Gemelli - Gerini spa - Goathuose Scarpa USA - GSK - NTTdata - Ideal Comunication - Immaginaria - Istituto Innocenti Firenze - Lazzara srl - Promart - QVC - Centro Ottico Martelli - Maked Comunication - Pagaie Rosa Roma - Re/Max Roma - Resort Fonteverdespa - Siena Experience Italian Hub - Societè General - The ArchitectsDance - Tennis in Rosa - Telethon - Università Bicocca.

GALLERY

Contemporanea C2 Firenze - Galleria Menhir La Spezia - Galleria ADmore - Galleria 166 Firenze - Galleria La Tartaruga Roma - Galleria Chigi - Galleria Biblioteca dell'Incoronata Milano - Palma Arte - Borghese Art Hotel Firenze - In Paradiso Venezia - La Fenice - Del Monte - Fonteverdespa - Feltrinelli Mantova - Spazio Porpora Milano - Altes Gymnasium Neuruppin - Rathaus Stoccarda - Avery Boutique Firenze - Francia - Germania - Lussemburgo - North Carolina - New Hampshire - Giappone - Svizzera.

PRINCIPAL BOOK

2024   Catalogo Mostra Personale FRAGRANZE MANIERISTE Pitture testi e curatela di Marco Cianchi, 48 pagine ed. Litorcart, monografico 

          

2021 - Catalogo Mostra VENUS IN ACQUA, dimensoni liquide Cinzia Fiaschi e Rita Pedullà, 48 pagine ed. Nuova Grafica di Costa

2016 - Art Germany Stuttgart 2016, collettivo edizioni Giorgio Mondadori

2013 - Elegia di Madonna Fiammetta, (guardalo online) viaggio contemporaneo pittorico fotografico e performativo, 48 pagine, Ed Pacini, monografico

2008 - Colori in Movimento, Pitture 2007/2008 testi critici AAVV, 48 pagine ed. Manfredi Roma, monografico

2007 - Colori nelle Parole, cura e testi di C. Micheli, 83 pagine, ed Publipaolini Mantova, monografico

2005 - Colorinmovimento, curato da Promart, 48 pagine ed. Publistampa Trento, monografico