However, my goals haven't changed. I still believe in the imperative of beauty and in working without rules no matter what process is followed.
Helen Frankenthaler
My artistic history begins by admiring the Masters of Italian painting, from the lyrical color of Afro, the dismembered color of Vedova, the gestural color of Scialoja and the neo-American painting of Jackson Pollock, the informal color of Franz Kline, the expressionist color of Willem De Kooning and Arshile Gorky, from the lightning of Hans Hartung, to the dynamism of Georges Mathieu, from the chromatic depth of Mark Rothko, to the gentle peculiarity of the painted sign and color of Helen Frankenthaler.
Faithfulness to color in continuous growth and artistic research enriched by interests and studies in the philosophical, literary, psychological field.
Color becomes an unfathomable body of the non-evident and the unknown, towards a polis ready to get involved, perhaps to be amazed.
All this imagery has matured over time into projects in which painting, freed from its own applied rigor, becomes only a phase of a broader and more complex work, imbued with a creative process shared with other artists of different forms and languages, such as dance, music, and theater, experienced as Total Art.
I design and create Painting Actions ACTION PAINTING in synesthesia with musicians, actors, vocalists, dancers in live performances of pictorial improvisation, performance events inextricably linked to the here and now, original, unique and unrepeatable. Total Art Concert Events created before the eyes of the public in public spaces, theaters, museums, villas, squares.
I have been working in the field of Communication for years, collaborating with Communication Agencies and Companies for the design of large works on canvas, advertising logos, stages and painting workshops for groups and individuals. The works on canvas in mixed technique belong to Public and Private Collections in various countries.
I work between Rome and Florence.
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